Artist Statement

I start from the observation of the body in motion and in constant transformation, unfolding my work through performance, video, photography, drawing, painting, sculpture, and installations. I investigate themes such as the objectification, silencing, and erasure of women, seeking to provoke the viewer through choreographies that explore dualities between delicacy and rigidity, sweetness and bitterness.

Bio

Carioca, dancer and visual artist, Roditi lives and works in Rio de Janeiro, Brazil. She holds a degree in Dance from Faculdade da Cidade, studied at the Escola de Belas Artes at UFRJ, and regularly attends courses at the Escola de Artes Visuais do Parque Lage.

Working across multiple medias such as performance, video, photography, drawing, painting, sculpture and installation, Roditi observes the movements and transformations of the female body due to the situations women face, particularly regarding gender based violence. In her research, the body is placed in situations of effort, silencing, erasure, objectification and resistance, creating works that aim to instigate, provoke reflection and destabilize patriarchal narratives.

Liane held her first institutional solo exhibition Dobras e Desdobras at Centro Cultural Correios RJ, curated by Isabel Sanson Portella (2026). She has participated in group exhibitions, including Encontrar a Solidez at Galeria Anita Schwartz, Rio de Janeiro, curated by Bruna Costa (2025). She was selected through the Apexart Open Call in New York (USA) for the exhibition The Uterus is also a Fist (2026), curated by Talita Trizoli and Renata Freitas, together with the GAF collective. Her trajectory also includes participation in artistic residencies, notably a residency at the Vermont Studio Center in Johnson, USA (2024).