Unveiling lineages, founding reigns – pain isn’t bitterness. (…) Woman is unfoldable. I am. Adélia Prado Liane Roditi’s strength is in the ramifications, movements, and transformations. It’s the subtleties that reveal the tension between abrasion and permanence,...

For almost nine minutes, the figure of the bride dominates the unique panorama. O Grande Dia (2022) gains in dramaticity by being imbued with multiple meanings through Adagietto, movement 4, of Symphony No. 5 by Gustav Mahler (1860-1911). Undoubtedly one of the most...