Vertebrada
Vertebrada, série: Livre para Servir. Vídeo HD 16:9, com áudio, cor, 2024, Filmagem K͎ⵙ
Moeda de Troca
Video installation in a continuous loop, Canteiro, SP, 2024.
Dorsal
(series “O sustento”)Video performance with audio1’25”Year: 2023
(a)versão
Video performance with audio2,23”Year: 2023
Desvio
Video performance without audioDuration: 4'55”Year: 2022
O Grande Dia
Video performanceConception, performance, and editing: Liane RoditiProduction, filming, and photography: Kaká Boa Morte, Noni Levinson, Sabrina da PazMusic: 5th Symphony - 4th Movement Adagietto Gustav MahlerPiano: Samantha TiussiMastering: Gabriel RialDuration:...
Despertar
Video performance – with áudio1’26” day rising5:30 am at Boiçucanga beachthe sky in shades of lilac and pinktaking over my beingthe reflection in the waterthe sea in constant movement reminding me that each time it comes and goes licking the sand and my feet, I am...
Cipó
Video performance – no áudio 3’17” Liane, or vine climbing plant with flexible and delicate branches who seeks sunlight to develop Work developed during an artistic residency from Galeria Tato at Kaaysá Art Residency with curatorial monitoring by Priscila Arantes and...
Gola
Video performance - on áudio 2’25” Work developed during an artistic residency from Galeria Tato at Kaaysá Art Residency with curatorial monitoring by Priscila Arantes and Paula Borghi. 2022
Sal
Video performance without audio Conception, performance and editing: Liane Roditi Filming: Maria Eduarda A. Mota 36” the sea called me the moon guided me I went Work developed during an artistic residency from Galeria Tato at Kaaysá Art Residency with curatorial...
Práticas para sustentar a imprecisão
Artistic Residency Práticas para sustentar a imprecisão 2021 Bicho da SedaProduction credits: Liane Roditi - Concept, performance, costumes, filming and original soundtrackMerlin Kern – Concept and video editing Deixa irProduction credits:Iza Goud - Design, costumes,...
Fração
Duration: 2’2020 In mid 2020 I did several exercises seeking self-knowledge. On one of these practices, alone and locked in my studio, I spent a good amount of time listening to the electroacoustic song “Di-Stances (1982)” by Vânia Dantas Leite, which caused, among...